Theoretical Foundations of the Formation of Music History
DOI:
https://doi.org/10.17605/OSF.IO/8B6WJKeywords:
Musical heritage, folklore art, Barzunoma, Bahmannoma, Kushnoma, FaromurznomaAbstract
In studying the history of each nation, it is important to understand the spiritual values created by that nation and to be able to analyze them in depth. The spiritual heritage of our people is extremely rich, and traditional national music is one of these aspects. The history of traditional Uzbek national music goes back a long time. The formation of the national music art of the Uzbek people is inextricably linked with its history.
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2. Radlov V.V. Turkological collection. - M.: Nauka, 1972. – 290 p.
3. Rajabov I., Regarding the status issue. T., 1963;
4. Sposobin I., Musical form Special editor G'. Gafurbekov, T., 1982.
5. Tursunov and others History of material culture of Surkhan oasis. T.: "Editor". 2013-B.59-60.
6. Tursunov S., Pardaev T., Kurbanov A., Tursunov N. History and culture of Uzbekistan - ethnography of Surkhandarya. - Tashkent: Publishing House of the National Library of Uzbekistan named after Alisher Navoi, 2006. - P.170-192.
7. Tursunov S.N. "Denov". Tashkent, "Fan", 2009.
8. Tursunov S.N. "Boysun". Tashkent., "Academic publication". 2011, "Sound from Moziy" magazine, 2004, 64 pages.
9. Ergashev A., Khalilov D., "Yozi and Zebo" — a love story, Karshi, 2000
10. Own, ME 10 volumes. 112 pages. T., 1959. Otabek Jo'rabek. 346 pages. "Shahnama". Shomuhamedov Sh. Shah Kitab and its author, T., 1992; Hamidov H., The fame of "Shahnoma", vol., 1991
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Published
2022-12-28
How to Cite
Azamovna, Z. Z. . (2022). Theoretical Foundations of the Formation of Music History. Central Asian Journal of Social Sciences and History, 3(12), 302–306. https://doi.org/10.17605/OSF.IO/8B6WJ
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