From the History of Uzbek National Musical Art
DOI:
https://doi.org/10.17605/OSF.IO/DZGJ9Keywords:
Musical heritage, folklore art, Bukhara - Samarkand music style, Khorezm music style, Fergana - Tashkent music style, Surkhandarya music styleAbstract
The musical form serves as a material embodiment of the content of the work and a means of creation. The forms of musical works are characterized by regularly repeating content and elements, which are somewhat contrary to such characteristics as artistic variability and mobility. Such dialectic conflicts within the framework of communication and unity always find their solution in different ways during the process of creating and performing a musical work. The relationship between stable and unstable elements of music in the traditions of music culture of different peoples is also different.
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