Manufacturing Activities of The Bukhara Goldwork Embroidery Factory
DOI:
https://doi.org/10.17605/cajssh.v7i1.1277Keywords:
Bukhara, gold embroidery, artel, textile, silk fabric, cooperation, factory, project, cotton, obligation, specialist, productionAbstract
The article provides information about the history of the Bukhara gold embroidery factory. The art of gold embroidery, one of the branches of the light industry, dates back many centuries. In Uzbekistan, Bukhara is considered the birthplace of gold embroidery. In particular, the article highlights the activities of handicraft workshops, artels, production units, and the factory established in the field of embroidery. It begins with a definition of the art of gold embroidery. The article also discusses the operations of the Bukhara embroidery factory and the achievements of its branches established in various districts. The traditional master-apprentice system was preserved in production, and the skills of several renowned embroidery masters are described. Products manufactured at the Bukhara gold embroidery factory gained international fame. More than forty types of items were produced at the enterprise, including skullcaps, suzani, curtains, and national wedding bedspreads, all beautifully decorated with traditional Uzbek patterns. The five-year plans and daily tasks set by the state were fulfilled at 110–115 percent. At the same time, the article mentions workers who showed negligence in their duties. The presented information is based on various literary sources, archival materials, press publications, and interviews.
References
A. Ismoilov, Traditional Crafts of Bukhara and Their Historical Development. Bukhara, Uzbekistan: Bukhara Publishing House, 2015.
M. Karimova, “Goldwork embroidery as a cultural heritage of Uzbekistan,” Journal of Art Studies, no. 2, pp. 34–41, 2018.
S. Tursunov, Folk Applied Arts of Uzbekistan. Tashkent, Uzbekistan: Fan Publishing House, 2014.
N. Rasulova, “Manufacturing processes in traditional embroidery workshops,” Culture and Art, no. 3, pp. 56–63, 2019.
B. Abdullayev, The History of Bukhara Gold Embroidery. Tashkent, Uzbekistan: Iqtisodiyot, 2016.
D. Khamidova, “Economic significance of handicraft production in Bukhara,” Economy and Society, no. 4, pp. 72–78, 2020.
O. Sharipov, “Preservation of traditional crafts in modern manufacturing,” Bulletin of Cultural Heritage, no. 1, pp. 21–28, 2021.
Z. Rustamova, Artisan Production and Regional Development. Samarkand, Uzbekistan: SamDU Press, 2017.
A. Kadirov, “Gold embroidery techniques and materials,” Applied Arts Review, vol. 5, no. 2, pp. 44–51, 2019.
M. Yuldasheva, “Women artisans in the gold embroidery industry of Bukhara,” Social Sciences Journal, no. 6, pp. 88–95, 2022.
R. Tursunova, Handicraft Enterprises and Market Relations. Tashkent, Uzbekistan: Akademnashr, 2018.
J. Ruziev, “Modernization of traditional manufacturing enterprises,” Uzbek Journal of Economics, vol. 7, no. 3, pp. 101–109, 2021.
K. Khasanov, “Integration of cultural heritage into industrial production,” Problems of Modern Industry, no. 2, pp. 60–67, 2020.
Sh. Nazarov, Bukhara Crafts and Tourism Development. Bukhara, Uzbekistan: Zarafshon Press, 2019.
M. Abdurasulova, “Export potential of Uzbek gold embroidery products,” International Trade Review, no. 1, pp. 39–46, 2023.


