Nationality is the Mirror of a Nation

Authors

  • Akhmedova Gulchekhra Uskinovna Doctor of Philosophy (PhD) in Historical Sciences, Associate Professor of the Department of World History, Termez State University, Uzbekistan

DOI:

https://doi.org/10.17605/cajssh.v5i7.1132

Keywords:

changqubiz, changqovuz, bakhshi, epic, terma, repertoire, teacher, creativity, art, bone, wood, reed, pledge, metal

Abstract

In order to preserve and advance Uzbekistan's national identity, this study examines the cultural and historical significance of the Chanqovuz, a traditional Uzbek musical instrument, and its fusion with Bakhshi. Scholarly research on the Chanqovuz is still lacking, despite its ancient roots and regional variances. The study finds gaps in our knowledge of its standards and musical potential. The study looks at historical documents, cultural narratives, and real-world uses of the Chanqovuz using an interdisciplinary approach. Its distinctive tone, function in oral traditions, and relationship to the country's spiritual ideals are all demonstrated by the findings. The study ends with suggestions for improving the musical potential of Chanqovuz, standardizing its production, and incorporating its legacy into contemporary cultural and educational frameworks. The goal of these initiatives is to preserve its legacy for upcoming generations.

References

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Published

2024-11-20

How to Cite

Uskinovna, A. G. . (2024). Nationality is the Mirror of a Nation. Central Asian Journal of Social Sciences and History, 5(7), 263–267. https://doi.org/10.17605/cajssh.v5i7.1132

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Articles