Theoretical Bases of Teaching Local Styles and their Essence in Music Lessons

Authors

  • Kushinova Rano Sotiboldievna Teacher of Namangan state university
  • Odilova Gulmira Odilovna Master of Namangan state university

Keywords:

folklore, tradition, ceremony, anana, epic, lapar, yalla

Abstract

National independence has radically renewed the attitude of our people to the great cultural heritage created by the intellect of their ancestors, and opened up unprecedented opportunities for the widespread promotion of the history, culture and spiritual values   of our ancestors. The process of renewal, spiritual purification and spiritual renewal that has taken place in our worldview and consciousness through independence is also reflected in the development of folk art. After all, the traditions of folk art serve such glorious purposes as the upbringing of a perfect person who has an independent outlook, who lives on the invaluable heritage of our ancestors and modern thinking.

References

1. Gruber R. History of musical culture.1.tom.- M: 1941, P.23
2. Music aesthetics of Zapadnoevropeyskogosrednevekovya and Vozrozhdeniya. M., 1965.- P.52
3. National Encyclopedia of Uzbekistan. Volume 1 - T .: State Scientific Publishing House, 2005, - P.63
4. Levik V., History of foreign music T., 1984.-P.52 5. Konen V. D. Theater and symphony. - M .: Muzyka, 1975. P.52
5. Braudo E. M. Chapter 21 // Vseobshchayaistoriyamuzyki. - M., 1930. P.58

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Published

2022-01-20

How to Cite

Sotiboldievna , K. R. ., & Odilovna, O. G. . (2022). Theoretical Bases of Teaching Local Styles and their Essence in Music Lessons. Central Asian Journal of Social Sciences and History, 3(1), 1–6. Retrieved from https://cajssh.casjournal.org/index.php/CAJSSH/article/view/234